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	<title>Comments for BEHIND THE SPOTLIGHT</title>
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	<description>Exploring    the    Development    of    New    Opera    for    New    Audiences   with   American   Lyric   Theater</description>
	<pubDate>Wed, 10 Mar 2010 17:21:25 +0000</pubDate>
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		<title>Comment on SHOULD WORKSHOPS BE OPEN TO THE PUBLIC? by Vincent-louis</title>
		<link>http://www.gt.altnyc.org/2009/04/09/should-workshops-be-open-to-the-public/comment-page-1/#comment-32</link>
		<dc:creator>Vincent-louis</dc:creator>
		<pubDate>Thu, 16 Apr 2009 16:28:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.gt.altnyc.org/?p=104#comment-32</guid>
		<description>I haven't done anything with the theatre in a very long time, but in film making as with most artistic endeavors audience feed back is crucial. The creator is often too close to the work to  see obvious flaws since he/she knows too much about the background of the piece. It takes a fresh eye to realize something is missing after you yourself have seen it a million times. A confident artist will take it as a way to improve and better understand the work through the eyes of the people it is actually being made for and make decisions on changes based on what is learned. As long as the artists themselves make the decisions (not the marketing department) and, as Larry says, show the work when it is already well developed, it can only help in the creative process.</description>
		<content:encoded><![CDATA[<p>I haven&#8217;t done anything with the theatre in a very long time, but in film making as with most artistic endeavors audience feed back is crucial. The creator is often too close to the work to  see obvious flaws since he/she knows too much about the background of the piece. It takes a fresh eye to realize something is missing after you yourself have seen it a million times. A confident artist will take it as a way to improve and better understand the work through the eyes of the people it is actually being made for and make decisions on changes based on what is learned. As long as the artists themselves make the decisions (not the marketing department) and, as Larry says, show the work when it is already well developed, it can only help in the creative process.</p>
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		<title>Comment on SHOULD WORKSHOPS BE OPEN TO THE PUBLIC? by THE PUBLIC WORKSHOP DEBATE CONTINUES &#171; BEHIND THE SPOTLIGHT</title>
		<link>http://www.gt.altnyc.org/2009/04/09/should-workshops-be-open-to-the-public/comment-page-1/#comment-28</link>
		<dc:creator>THE PUBLIC WORKSHOP DEBATE CONTINUES &#171; BEHIND THE SPOTLIGHT</dc:creator>
		<pubDate>Tue, 14 Apr 2009 15:20:45 +0000</pubDate>
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		<description>[...] Exploring the Development of New Opera for New Audiences with American Lyric Theater        &#171; SHOULD WORKSHOPS BE OPEN TO THE PUBLIC? [...]</description>
		<content:encoded><![CDATA[<p>[...] Exploring the Development of New Opera for New Audiences with American Lyric Theater        &laquo; SHOULD WORKSHOPS BE OPEN TO THE PUBLIC? [...]</p>
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		<title>Comment on THANK YOU TO A GOLDEN CAST by larissa</title>
		<link>http://www.gt.altnyc.org/2009/04/05/thank-you-to-a-golden-cast/comment-page-1/#comment-26</link>
		<dc:creator>larissa</dc:creator>
		<pubDate>Mon, 06 Apr 2009 00:05:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.gt.altnyc.org/?p=100#comment-26</guid>
		<description>Thank you  so much for establishing this connection to the artists and the music. It's a privilege to see the work involved and the skill and talent it requires  to put an opera together.  How  remarkable  to watch these extraordinary musicians create  something magical we can all share.</description>
		<content:encoded><![CDATA[<p>Thank you  so much for establishing this connection to the artists and the music. It&#8217;s a privilege to see the work involved and the skill and talent it requires  to put an opera together.  How  remarkable  to watch these extraordinary musicians create  something magical we can all share.</p>
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